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Embroidered Patch History

The earliest surviving embroideries are Scythian, dated to between the 5th and 3rd centuries BC. Roughly from AD 330 until the 15th century, Byzantium produced embroideries lavishly ornamented with gold. Ancient Chinese embroideries have been dug, dating from the Tang dynasty (AD 618907), yet the most prominent extant Chinese examples are the royal silk robes of the Ching dynasty (16441911/12). In India embroidery was also an archaic craft, but it is from the Mughal period (from 1556) that numerous examples have survived, numerous ascertaining their course to Europe from the late 17th to the early 18th century via the East India trade. Stylized plant and floral motifs, notably the flowering tree, influenced English embroidery. The Dutch East Indies also produced silk embroideries in the 17th and 18th centuries. In Islamic Persia, examples survive from the 16th and 17th centuries, when embroideries show geometric patterns distant removed by stylization from the animal and vegetation shapes that inspired them, unpaid to the Qurans proscription of describing living fashions.embroidered patches wholesale.
In the 18th century these gave way to fewer caustic, though still formal, flowers, leaves, and stems. In the 18th and 19th centuries a arrange of patchwork cried Resht was produced. Of the Middle Eastern work in the 1st half of the 20th century, there is a colourful farmer embroidery made in Jordan. In western Turkestan, Bokhara work with floral sprays in shine colours was done on covers in the 18th and 19th centuries. From the 16th century, Turkey produced detail embroideries in gold and coloured silks with a repertoire of stylized forms such as pomegranates, the tulip motif eventually predominating. The Greek islands in the 18th and 19th centuries produced many geometric embroidery patterns, differing from isle to island, those of the Ionian islands and Scyros showing Turkish influence. Northern European embroidery was, until the Renaissance, mostly ecclesiastical.
An extant peninsula embroidered with eagles, presented apt Metz Cathedral along Charlemagne, well represents Carolingian needlework. The 10th-century stole of St. Cuthbert, embroidered in gold thread, preserved in Durham Cathedral, is the earliest surviving English needlework. The 11th-century Bayeux tapestrywhich is, in truth, embroideryis Norman work done in England. The Crusades transmitted motifs of Saracenic art (such as pairs of confronting stylized animals), further strengthened Byzantine affect in Europe, and initiated heraldic embroidery. The sacks of Antioch (1098) and Constantinople (1204) resulted in pillage of embroideries, which (maybe as "rectitude" gifts) were after presented to the mosque. Heraldry, too a formative influence afterward this period, is represented by the tunIron On Patchesic (c. 1376) of the Black Prince in Canterbury Cathedral.
The greatest phase of English embroidery was 11001350, when it was known all overEurope as opus anglicanum (Latin: "English work"). In 1561 Elizabeth I granted a charter of incorporation to the Broderers Company, a further step in the development of secular embroidery already visible in Henry VIIIs dynasty. Sixteenth-century English and French embroidery were closely narrated, both tending, for instance, to adjust engraved designs because their needlework patterns. Embroidery during this period was agreeable an amateur craft rather than a calling, a alteration that was even more marked in the 17th century. The shape for crewel work, alternatively worsted (wool) embroidery, dates largely from the 17th century, as does needlepoint, or sheet work. Samplers, secondhand to record stitches and charts, became effectively decorative after the exterior of pattern writings.
Embroidery in 17th- and 18th-century North America reflected European skills and conventions, such as crewel work, however the designs were simpler and the stitches were constantly modified to retention thread; samplers, embroidered pictures, and grief pictures were the most fashionable. In the early 19th century nearly entire other forms of embroidery in England and North America were superseded by a type of needlepoint known as Berlin woolwork. A after fashion, influenced by the Arts and Crafts action, was "art needlework," embroidery done aboard harsh, natural-coloured fabric.
The South American countries were influenced by Hispanic embroidery. The Indians of Central America produced a type of embroidery known as featherwork, using actual plumes, and decisive clans of North America developed quillwork, embroidering skins and bark with dyed porcupine quills. Embroidery is also usually used as an embellishment in the savanna of western Africa and in Congo (Kinshasa).
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